Search: Starring Clive Owen

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[Damon] knows the moves, which are implemented with ruthless efficiency.

The film is arguably not very technically sophisticated or stylistically consistent... but these faults are compensated for by actors Owen and Bluteau, who essentially carry the film alone for its second half.

There is a distinct lack of energy and focus especially for the first hour, when nothing much happens.

An affecting blend of warm comedy and high pathos, The Boys Are Back brings an unusual all-male perspective to its otherwise familiar themes of domesticity, death and dysfunction.

This is a film that takes no prisoners. It will live long in the memory.

Ridley may not be in the top league of current action stars but she can handle herself, and she is at any rate more convincing as a former soldier than she is as a member of the working class.

The egocentric nature of the film cleverly disguises what else is going on outside Jack's head.

Director Mike Nichols' most powerful tour-de-force since the classic Who's Afraid of Virginia Woolf?

Owen can do this kind of thing standing on his head, while balancing a cage of turtledoves.

Needed a more crackling central relationship to keep it interesting.

Altman's great triumph is in galvanising the energies of exceptional actors into a living, breathing entity.

The news that the movie is 'based on real events' does not alter the tedium of the thing.

Owen is fine when looking moody, but not so good when given dialogue - it seems too staged, too deliberate.

One of the tricksiest, most tautly plotted rollercoaster rides through the thriller genre since The Usual Suspects.

A timely and well-executed thriller

The result is a whole lot of portent with little pay-off.

The dialogue has a tendency to forget what century it is.

A violent showdown where style (in its purest form) outshoots substance from the very first draw.

Marsh takes no prisoners, makes no apologies and kicks you when you're down, all of which makes his films dangerous, inifinitely watchable and almost unbearably surprising.

I know it will mostly appeal to comic book fans like myself, but people should give it a chance, if only to experience its style.

A film that from its outset immerses you totally in the world of city Alpha, as well as the humans and aliens that throng its crowded streets.